It’s All True!

I have lived and worked as an arts professional in Los Angeles for decades. My exhibitions have helped launch and/or advance the careers of many artists. I have worked with a very diverse group of artists both in Los Angeles and abroad. In 2011 ‘My Super Hero, New Contemporary Art From Iran’ showcasing the works of 35 contemporary artists from Iran was the first of its kind in Los Angeles for more than one reason.

My Super Hero
New Contemporary Art From Iran
March 5 – April 30, 2011
Morono Kiang Gallery

A collaboration with Aaran Gallery in Tehran, It was the first major art exhibit coming directly from Iran. It was also the first and to my knowledge the only time an exhibition opened and ran concurrently in Tehran and Los Angeles. Like my first exhibit coming directly from Iran in 2009, ‘from The Streets of Iran’ (street art from Iran), it was very well received by audiences and the press alike. The featured publicity image for ‘My Super Hero’ was Newsha Tavakolian’s (pictured). Twelve years later, this is one of two photographs of Newsha’s that keeps getting attention on a regular basis. It has been included in many exhibitions since its debut in ‘My Super Hero’. The same image is on the cover of a new book on Iranian women photographers. ‘ Breathing Space: Iranian Women Photographers’ was just published by Thames & Hudson that features works by 23 women photographers. I have included some recent screenshots. I have always been grateful to Eliot Kiang, the owner of Morono Kiang Gallery, for his generous support to make that exhibit possible. I’m also grateful to Nazila Noebashari Owner and curator at Aaran Gallery whose persistent visionary work has been a very important part of the history of contemporary Iranian art. 

Remembering Shamlou

Shamlou
Ahmad Shamlou
© Shervin Shahbazi
1989

 

I took this photo when I saw Ahmad Shamlou in 1989. He was very gracious. I had asked him to give me a few minutes before his reading (a fundraiser in support of the victims of an earthquake in northern Iran). When he arrived he wasn’t feeling well but didn’t say anything about it. I noticed just the same and told him that it would be OK if he was not up to it. I explained that I didn’t want to impose on him and we could take photos another time. He insisted that I do it as long as I didn’t take too long. So I respected his wish, and this and other photos are the result of that day.

He returned a year later to do another reading, this time in support of the Kurdish refugees. He was in much better health and his sense of humor was back. I gave him a couple of prints of this photo in the dressing room. He took them out of the envelope, and after he saw this photo, he said: “you made me look like Emamzadeh” (a saint) and laughed. Aida, his wife who was standing right beside him smacked him playfully on his shoulder and said “is this how you treat young artists?” to which he replied “I’m kidding, he gets it…”

I know I’m not the only one wishing that he was still around… There will never be another Shamlou.

Exhibition Catalogs

Some of my exhibit catalogs and publications are now available to read or browse through right here.

Limited number of print edition of both catalogs featured are available for purchase. Contact me if interested.

 Click here to visit the Catalogs page.

Traces of Being